Roofless

Sun between the banister,
morning through the ivy,
this house with its open worlds
closes nothing to searching ghosts
or their reflections in the windows.
Her feet count the steps to a bedroom
strung with bursts of net curtain hanging
like blanched vines. They draw
in the night through their fleshless leaves.

Outside, a neighbour watches,
busy watering his dead fuchsias.



Her hands leave meanders in the dust,
and capture a butterfly in a teacup,
halfway between a streetlight heaven
and the desires she pinned on the sky,
where she’d always figured heaven flitted
away from the rain.

Snapshots don’t make memories
when the mottled  hues of music and voice
are lost with the dust between linoleum
fractures (arteries take blood to the heart)
like paint sucked into the earth.

He allows the dusty wings to rub off colour
on his wilting progeny. They are choking
on the early frost, and euthanasia sits in a flowerpot
in the shed, mixed with dust and cobwebs.

For a moment the house remembers
the feeling of rain running over its tiles,
like streams of ghostly tongues racing
in cycles back to the sky,

and she feels it too, like a choir
singing in rewind, blowing blue-grey
into dawn’s clutch of swooning mist,
while a pair of wings seep the last of their colour
into the puddles pooling on the carpets.

(Revised: 25/01/2011)

Heh...

Balloons tangle in the sky; they're red
and green, like the halves and wholes
of a voice singing to me while I’m sleeping,
with the blush of headlights combing
my duvet. Someone drew strange faces
over the curves and shadows, and I
can’t make out if they’re smiling or staring,
singing in red murmurs, or watching the olive
trees sway outside my window.

Postcard

Good morning, I hope
you are well, and the toast isn’t burnt;
I’m spattered with Mediterranean salt,
just like you promised – easing ink
through the Adriatic and its penny
promises, shining like eyes
on the seabed.
 
I’m crossing waves
with these over-the-counter postcards,
on my way back to you, while Venetian cream
threads a loose skin over my coffee.
If you were here, you’d ask me to remember
drawing faces on maps of the world

as the rain poured lingos through our smiles,
threading tie-dyed kite tails amid the contours
around your lips and eyes (hanging on tight),
and I’d tell you maps don’t have sunsets.
In these hot midnights alone, I gaze
 
over roof-top gardens gone to seed,
with Indian dyes and watercolour reflections
clutching the canals below like embroidery grass,
I spend listening to the lions who guard
each tributary with fevered eyes
 
that teach a lullaby  on the art of living
well into the swill of colours as words
in song, printing them in stone and lining
new words on my lips: caelum, non
animum, mutant, qui trans mare currunt.*
 
My hair is the horizon now,
and it’s pulling at the sellotaped corners
of the universe, undoing your careful origami,
and laying it out on the sky where my words
trace their way back home, on a jet plane
resisting the air.

 *"Caelum, non animum, mutant, qui trans mare currunt." (Those who run off across the sea change their climate but not their mind.) – Horace, Espistles